tu vuo' fa l'americano

do you ever have one of those days when things just feel more… real than normal?

you hear a cello playing and that odd scrape that’s normally a mistake knifes you in the heart because it’s beautiful in its imperfection. you watch someone dance and the lines are so perfect that your head tilts in a quiet homage. your ears are attune to those little breaths that people take without even thinking about it (everyone is so human, it’s miraculous). you read a novel and you are the drug addict, the sleeping beauty, the mother down the street with blank eyes.

it’s one of those days for me.

6 days ago / 1 note / words, prose,

I don’t ever feel this kind of calm when it rains at home, in my house with its thick-skinned walls and high ceilings. No, this feeling is reserved for those times up in North Carolina when I’m not wearing any makeup, and the walls of my camper and paper-thin and resonating with the thunder and lightening and miracle of rain. Our hands are always full during the rain, with Monopoly money (he cheated) or a paperback or the scratchy sleeping bag, because naps are better when the world is restoring itself, too. And afterwards, everything in the forest is wiped clean (silly rain; it was perfect before). My calm is the smell of wet asphalt and the sound of bicycle tires slicing through puddles. 

She experienced the world like a plunge into the icy waters of an ocean in early March, an alcohol-stained mouth flush with curses and loud laughter and an addiction to Coca-Cola and cigarettes. Her body couldn’t keep up with the life she wanted, always weighed down with some ailment or another. All of it seemed to blend after a while, when her head hurt so much that she couldn’t see straight and her neck pinched and there were the ghosts of unborn babies in her womb (she curled up around them at night and cried secret tears). Everything was a tragedy, a comedy, a production. Sometimes she forgot what was really wrong with her; maybe if she made things up, the real things would fade into the alcohol-fueled nights. She had hopes. Maybe her daughter would turn to her with open eyes and see through it all; that was her chance at redemption after all of the corruption and deception. So when things went wrong, terribly wrong, she picked herself up with a crooked back (crooked mind) and chose that time to be silent. And that’s how she left.

(Source: temporarywriting)

humansareprudes:

I want to get lost with you, okay? I don’t want to date you or marry you, have two kids and a golden retriever and a white picket fence- I just want to get lost with you. I want to take the wrong subway train and end up in Chelsea, in a gallery with huge modern art paintings on the stark white walls. I want to watch you pretend to understand those paintings just to impress me. I want to get lost in a bookstore with the smell of aging pages and spilled coffee, stale clove cigarettes lingering on thrift store cotton and I want to get lost in blinking lights with you in a city near an ocean.

I want to get lost in the sand with bare feet and wet hair that smells like salt and sun and air and sunscreen. I want to take to the sea and steal away on a sailboat with you in a white t-shirt and those old black sunglasses and that cliche crooked smile of yours that I want to stare at and kiss away in the same moment.

I want to get lost on old country roads at night in the rain. I want to kiss you in the back of your old car that smells like warm leather and fresh cut grass and sweat and shampoo and I want your strong hands in my hair, getting lost in its waves. I want to get lost in your body when are clothes are still on and we are kissing and touching and whispering secrets in the most quiet and perfect human way we can. I want to get lost with you and only you in a field a forest a city an ocean a bookstore and old road or even just your dark green sheets, but I want to get lost with you so you can get lost with me 

and only me. 

via averypotterurl / 1 month ago / 1,524 notes / prose, words,
If you were to press your heart close up against somebody else’s heart eventually your hearts will start beating at the same time. And two little babies in an incubator, their hearts will beat at the same time. Love that. So if you have somebody in your life that is prone to anxiety, like myself, and if you happen to be a calm person, you could come up and hug me heart to heart and my heart hopefully would slow to yours. And I just love that idea. Or maybe yours would speed up to mine. But either way, we’ll be there together.
- Andrea Gibson (via echoingstreetsigns)

“Sleepwalking?”

ampersands:

There once was a ghost of a little boy who had passed away late one night in a seaside hotel where he and his mother had dropped their tawdry luggage when they’d gotten kicked out of their apartment.

He wanted the ocean; he wanted the salt and the sand because children who dug their toes in the sand seemed happier than children whose mothers were too lazy to pay bills. His mother wouldn’t let him go in the water, but she promised to take him later. The promise sat high on his head. For now, though, she was busy with other things. His mother made him sit quietly in the motel room because her head was hurting; her head was always hurting.

So the little boy stayed in the room while his mother slept; he sat in the room and stared at the patchy carpet. The sleeping pills on the nightstand looked like candy that his mother had let him get at the Stop-N-Go the last time she’d bought a pack of cigarettes, but they didn’t taste as sweet. They tasted like overdue bills and snuck sips of vodka and h e a v i n e s s … . 

The little boy stayed in the room after his mother hauled his body away. She never came back to take him to the sea, but he waited. He could hear the ocean calling, but he couldn’t yell back; the French doors blocked the meek, ghostly sound of his little-boy voice. He’d press his hands against the windows; he’d breathe, but his breath make no fog. He was trapped.

The little boy stayed in the room.

The motel changed while the boy waited for his mother to take him to the sea. The carpet got replaced, and the creaky beds were fixed. More respectable families came to the motel; it was no longer a place for tawdry suitcases and broken families. Years passed, and the little boy stared at the not-so-patchy carpet as families sifted in and out like the ocean sand that the boy still longed for, families whose children played in the sea.

The little boy would walk up to his visitors and place his hands on their cheeks and touch his nose to theirs and he’d talk about his longing for the sea, but they wouldn’t respond. Sometimes the children would feel his breath and scratch their button noses and rub their shell-ears, but none of them talked back to him.

x

One day, a little girl with a gap between her teeth as wide as a toothpick arrived in the hotel. She had an unfortunate bowl cut and an eye patch decorated with 101 Dalmatians stickers.When she walked in the boy’s room (his prison cell) she looked at him over her glasses and raised her eyebrows without a word.

That night, while the little girl slept, the boy crept up to her. He breathed a puff of air on her forehead and the little girl pulled her blankets into a cocoon. He reached out a shimmery hand out to hers, and his pale hand sunk into hers. He wiggled his fingers, and her fingers moved on top of the hotel comforter. He pulled his hand back. For a moment he’d felt warm.

x

When the family opened the French doors the next day, the little girl lingered in the room and looked over her shoulder at the little boy. He was staring with a plain longing at the sea, the one thing he wanted in his little-boy, one-track mind. She raised her eyebrows, beckoning, but the little boy stared down at the carpet. He couldn’t leave his cell like this; his spirit was incapable of leaving the place where he had departed from his poor little-boy body. The little girl turned a sun-browned shoulder and exited the hotel room.

x

The next night, as the little girl had dreams that made her eyelashes flutter against her cheeks, the little boy watched and hovered next to the bed. He laid his hand on top of hers. They seemed to mesh together. He wiggled their fingers and rotated their wrists around in a flick. The girl opened her eyes and tensed, fearful for a moment. Once her eyes focused on the little boy, she relaxed and watched her hand move to the little boy’s accord. He was transfixed. He lifted their hands into the air in exaggerated conductor’s waves and in little-boy sign language and in shapes that casted themselves to the wall in the ocean’s moonlight.

The little girl quietly got up from her bed and stood nose-to-nose with the little ghost boy, theirs hands still one; he could almost smell the ocean on her skin. The girl took back her hand and nodded to the boy. He aligned their bodies front to back, staring at the back of the girl’s bowl cut. He took as deep of a breath as a little ghost-boy could take. He knocked the back of her heel with one of his feet and felt the give as his foot sank in. Then, he submerged the rest of his body, her frame encapsulating the little ghost-boy.

The little girl could feel the happiness of the little ghost-boy all the way down to warmth in her fingertips. The little boy could feel the essence of being all the way to the edges of the little girl’s feet. He craned her neck and he shook her arm and he rotated about on her waist.

He felt her assurance in her mind. She was beckoning him again. He took tentative steps toward the door of the hotel room that he had inhabited since the day he had stopped living, banned to half-life and half-breath and half-

Her feet had carried him out of the hotel room and onto the staircase and into the foyer and past the drowsy receptionist, who just lifted her eyebrows at the sight of a little girl wandering about in the middle of the night.

The little girl paused at the oceanside door and let the boy control his excitement for this thing he had waited for since that day of infinite sleep, the day his mother’s pills had exceeded their job description.

He suddenly felt the ocean air hit their faces. One step, and they were immersed in it, and he hadn’t such a feeling in years. They kept walking. Feet met sand, and the little boy made their body lie down and feel this true sense of rest and being. He dug their fingers in the sand and felt the moisture deep beneath and the roughness of the grains themselves.

Then, he heard the waves. Oh, he heard them. They were begging him, pleading. They wanted him. He bought their bodies up and looked at the ocean. He knew that it was about the end. This ocean was not false like the sleeping pills he’d mistaken for candy; it did not break promises or forget to pay the rent. It was real. It wanted him, and he wanted it back.

The pair of children, one real and one not-so-real, took their feet to the edge of the ocean and let the waves lap at their toes. The girl felt the boy’s happiness, an ecstasy so immense that it shook her even years later when she would visit the ocean.

For once, the little boy stared up at the star-filled sky. He wiggled the little girl’s toes in the water and smiled and felt a new kind of h e a v i n e s s, one of fulfilled wishes and ceased waiting: one of the weight of gravity and the force of the earth coming up under h i s          little-boy        f     e     e    t … .

(Source: temporarywriting)

halfbrokenhorses:

goodnight he says. i love you he says. have a fantastic day he says. he says and he says, he loves and he loves, every single day and i love you he says.

be happy you say. smile you say.

i don’t know how he says. but i love you he says. i care about you he says.

never does he say help me. never does he say i need you.

i love you he says. you’re amazing he says. caring about you, lifting you up, higher and higher until you feel loved and wonderful and happy and yes, this is what friendship feels like.

you’re wonderful, i say. you’re the greatest, we chorus. we love you so much, a resounding echo.

stop that, he says. quit it, with a casual wave of his hand. don’t lift me up, don’t worry about me, i’ll be fine, just fine.

you are loved, a chorus of voices he can’t hear. we love you, he sits in an empty, silent room. you’re important to us.

be happy, he tells the empty room, tells us, because he doesn’t know how.

 




Page 1 of 1
Theme by maggie. Runs on Tumblr.